Art Teacher
Upon completing my MA in Book Art, I decided that I wanted to teach – and to share my passion for art with children and young people.
I had a particular lecturer at South Devon College who inspired me and encouraged me to take art to degree level. He recognised a talent which I didn’t realise I had, until it blossomed with his guidance.
During my studies at university, I observed how some lecturers had the ability to foster the latent talent of their students to help promote artistic development.
When I was offered the opportunity to work with FE students at the University for the Creative Arts, Farnham, I found that I had the same ability to motivate as my previous tutors had achieved with me, which I found exhilarating! I knew then that the classroom was where I wanted to be, helping every student to access art and to enjoy developing their own individual artistic ability.

ANNA WILLIAMS
/ARTIST
/DESIGNER
/TEACHER

Mission Statement
It is my belief that confidence and pride in your own artwork allows you the courage to try new things; to develop your skills as well as broaden your mind and talent, which allows creativity to flourish.
This ethos is something I bring to the classroom and encourage all my pupils to practice. From the start of their artistic careers in school I aim to create a safe and inspirational environment, one in which they feel comfortable and happy to share their ideas and share their work with their peers. Thereby learning that if you make a mistake you can take the knowledge of what went wrong and turn it into a positive – once you know how not to do something it allows you to correct yourself.
Everyone has a talent – you just need to find it! Practice, and the ability to have the confidence and security to try, is the most important part of a students creative process.

Key Stage Two
My aim as Art Teacher for years 4 and 5 in the junior school is to create schemes of work that are not based on a one lesson craft project.
Instead I teach term long projects, which are often laced with other subjects.This uses art as a way of exploring subjects which are useful in a childs development.
History and design feature strongly in these schemes of work.
One example of this, which can be seen in the gallery section opposite, is a Greek vase project. This was designed to combine elements of English and storytelling, both from history and pupils imaginations, using both 2 and 3D forms.
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Key Stage Three
In the first year of the upper school my aim is to give each pupil a firm understanding of techniques which will be used throughout their careers within the art department, and beyond.
The first term is spent with colour theory, where each pupil produces a colour wheel and hot or cold colour study to perfect their colour mixing abilities. Then pupils utilise these skills by creating an abstract painting.
Along side this they are given homework that allows them to explore artists work using colour, so they begin to become art critics themselves. Other homework gives them space to try out the things learnt in class on their own. They are also encouraged to complete good points, and points to improve, for each homework and class task. This allows them to track their progress and be critical of their work, but more importantly to give themselves praise, which helps to build their confidence. This process continues throughout their time in the department.
In their next term pupils explore shading and how to correctly use pencils so that they can get the most out of using them in their work. We next discuss composition and how to construct dynamic images, and use this to find an image upon which to base our next piece of work. They then complete their drawings and use colouring pencil to shade.
In the final term we have a cross-school project, which merges the subjects together. Each year group gets a theme to work on, taking them towards the end of year production as a show for the rest of the school. For example, year seven had as their theme Africa, they created costumes using batik techniques and creating masks.
Year eight begins with a 3D project - the theme is hybrids, where the pupils are asked to explore the design processes of creating a hybrid animal-bird-plant made from clay. They begin with pattern and shape and then work on experimenting with combinations of these to create interesting combinations and experiments. Pupils next learn ceramics processes and terminology. Fired pieces are painted.
The next term is a drawing project based on self-portrait. Each pupil explores the history of portraiture and completes a pencil study of themselves from a photograph. Each pupil does a photoshoot, and is asked to think about composition and props.
In their final term pupils complete an artists book. The book is a continuation of their previous self-portrait project. This time rather than figurative work, they are asked to create a conceptual self-portrait using 'book' as the medium. Together we explore these ideas and in each lesson look at a different interpretation of portrait. This includes collage, concrete poetry, abstract impressionism and re-appropriation of image and text. The end result is then bound and we have an exhibition in the school library.
In year nine we begin with a cross-curricular project based on Cindy Sherman. Alongside the drama department, each pupil chooses a time and a place which is different to their own life and times. They learn how to construct a character and write a monologue. Within art lessons they research the time period, looking at costume, make up and culture.
Next, like Cindy Sherman, they create disguises for themselves to disappear into the characters they have creating. The term ends with each pupil dressing up in the costume they designed to perform their monologue to the class. We hold a photoshoot, as Sherman does, and edit the photos in Photoshop before they are completed.
The next project is a product design project. I have taught this in several ways, one of which is to redesign a product that is already in the market place. Students then explore what makes good design, how colours are used, slogans and how to create an impact.
Each pupils design process then begins by redesigning their products by creating mood boards and mock-ups. When they are satisfied with their designs they learn how to use Photoshop and a graphics tablet to produce their final piece before presenting their redesign to the rest of the class followe by a questions & answers session.
In the final term pupils work on a 3D project focusing on Barbara Hepworth exploring how our environment can inspire us artistically, through drawings and design. Pupils then do a Hepworth inspired carving using the inspiration and materials that they have generated throughout the term. By now the pupils are beginning to trust their own intuition which is reinforced by being able to work in a more spontaneous way.
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GCSE & A Level
During the GCSE course pupils are encouraged to develop their personal tastes and skills.
At the beginning of the course they start to think about using various kinds of media, experimenting with lots of different drawing techniques both in the classroom and for homework before working on a detailed still life - they choose the subject, create a composition, photograph it and then manipulate it in Photoshop.
After this they are given starting points on various themes, . learning invaluable research techniques and processes which they follow through into the second year of the course.
During an architecture project pupils work in 3D using clay and paper, this broad grounding allows them to explore and so to make more informed choices when thinking about the use of media in their own work.
The A Level course involves the pupils employing a lot more self-motivation, time management and organisational skills. These have to be developed quickly.
Pupils are given starting points and are supported in trying new processes, idea development and visual diaries. Using peers to bounce ideas and brainstorm, they are encouraged to take part in an open discussion about their work.
One-to-one tutorials take place every lesson.
During the time essays are being written, a trip to London is organised so that pupils can physically see key pieces of work they are studing, as well as to be up close and personal with the work of artists who are inspiring to them in their own practical project.
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Extra Curricular
As well as having access to a rich curriculum in Art, I believe that children should also have opportunities for a wide variety of extra-curricular activities.
I held a weekly art club which was an open forum to work on projects outside of the curriculum in self directed projects. Alongside this were workshops run by local artists and practical craft workshops delivered by me including sketchbook making which were very popular with the students.
As an extensive traveller, both at home and in other countries, I believe passionately in the importance of seeing the work of artists in galleries as well as in the landscape. I have origanised trips to Paris, London and to see Antony Gormley’s exhibition “Field for the British Isles” at Torre Abbey, Tate St Ives; and Y8 to see Sacred artifacts at Exeter Cathedral.
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